THE SCREEN OFFERS ITSELF TO YOU AS AN ALTERNATIVE TO THE UBIQUITY OF ATTENTION THIEVERY, AN ANTIDOTE FOR THE MYOPIA AND FEVERISH PACE OF THE CURRENT MILIEU, CULTIVATED OUTSIDE OF THE ENDLESS SCROLL.


THIS SCREEN SIFTS THROUGH THE DREGS OF TARGETED MARKETING, IDENTITY POLITIC-ING,
EGO POSTURING, PERVASIVE (OR PERVERSE) "PURPOSE" PROPAGANDA, AND OVER/UNDER-STIMULATION...


THE ANTITHESIS OF
CONTENT
CONTENT
CONTENT
CREATED FOR
THE SAKE OF   CONTENT. 


THE SCREEN IS AN INDEPENDENT POLY-MEDIA INTERVENTION.  

THE SCREEN IS NON-NICHE AND POST-CATEGORY,
A JUNCTION POINT WHERE THEORY MEETS PLAYFUL PRAXIS AND HIGH MEETS LOW.


THE SCREEN
[IN ALL OF ITS FORMS] IS A SITE FOR RE-ROUTING SENSORY RESPONSES BY REFRAMING THE "NOW" VIA THE EXAMINATION AND EXPLORATION OF VARIOUS "BEFORES" AND IMAGINED FUTURES, A REPOSITIONING THROUGH  ATEMPORALITY.


THE SCREEN IS A LIVING NEXUS OF EXPERIENCES NOT LIMITED TO THE CONFINES OR SPECIFICITES OF TIME.


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